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30

Aug

2010

Finnish Guerrilla Bike Lanes

By tbowers@dwlc.com. Posted in Main Blog | No Comments »

I love a good guerrilla design story! I came across this one on the Good website.

“Hämeentie is the longest street in Helsinki, Finland, and one of the city’s main thoroughfares. It has four lanes of traffic, but no space whatsoever for cyclists. There’s no bike lane between the buses and the sidewalk.

To create their own, the Finnish collective Länsiväylä poured paint along one section of the street and then invited a group of cyclists to ride through it at midnight, leaving a visible trace of where bikes would ride if there were space, and creating a colorful new boundary.

Law-and-order types, worry not: The paint they used washes away with water. Unfortunately, that means that Hämeentie won’t really have a permanent new bike lane. At least not yet: The huge turnout might make city planners take notice.

You can see more pictures of the event on Flickr.”

 

So, how will you take back your public space? Let’s hear it…

Applying the paint

Cyclists ride through the paint,

and create their own bike lanes.

Guerrilla bike lane design at its finest!


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23

Aug

2010

Farming the City

By jjessup. Posted in Main Blog | No Comments »

hayes valley

Hayes Valley Farm extends to the very edge of a more traditional urban scene [Photo Credit: Fabiana Meacham]

Spend a few hours walking through any sector of the city and you will inevitably stumble upon a small patch of toiled earth, usually surrounded by chain-link fencing and accompanied by the all too familiar odor of manure. Urban farms have surfaced throughout the country in recent years — in both major and not-so-major urban areas — and San Francisco has been no exception. We now have a proposed legislation to loosen zoning restrictions on urban agriculture — a measure that would profoundly affect small scale farms’ capacity to do business.

The reasons for practicing urban farming are copious: a closer connection to food sources, reclamation of vacant land in blighted areas, education about healthy eating habits, a source of employment in hard economic times.

But for many city dwellers, urban agriculture remains a somewhat vague practice carried out by highly motivated individuals who have somehow found time to till, sow, weed and harvest small slivers of earth that have escaped the traditional urbanizing forces of cement and asphalt. For most of us, urban farms still don’t play much of a role in defining the way we experience our cities and questions concerning the feasibility and longevity of urban farming still remain:

  • What are the actual urban farming scenarios taking shape throughout the city and how did they come to be there?
  • How do urban farms confront the task of growing food in areas that were never intended to support agriculture?
  • To what extent can urban agriculture integrate itself into the urban landscape and way of life in the long-term?
  • Is urban farming about more than just feeding people? What else is it about?

“Farming the City,” a new blog series, will address these questions by highlighting the urban farms taking root in and around San Francisco, the people who run them and the particularities that define their role in the urban landscape.

This week we’ll look at Alemany Farm, one of San Francisco’s pioneering urban agriculture projects.

Alemany Farm

alemany1

Alemany Farm occupies four and a half acres of land in southeastern San Francisco. Wedged between the Southern Freeway and the Alemany public housing development, the farm and its immediate surroundings reflect much that has gone wrong — and the potential to do right — in San Francisco’s planning.

One of the City’s early forays into urban agriculture, Alemany first came into use as a farm in 1994, when the San Francisco League of Urban Gardeners (SLUG) received permission from the Recreation and Park Department to convert the site from a dumping ground to a community farm for residents of the Alemany and Potrero Housing Developments. Although SLUG eventually disbanded, the farm’s commitment to community involvement persists. Today, a core group of 15-20 volunteers (with the occasional weekend influx of corporate community service groups) cultivates the land while maintaining a close relationship with the adjacent Alemany Housing Development, whose residents are eligible to receive a free CSA (community supported agriculture) share from the farm’s harvest and have open access to the grounds at all times.

On a recent tour of the site led by dedicated volunteer Kom Siksamat, the farm boasted vegetable patches, a native plant garden, fruit trees, a bee colony, a frog pond, and an evolving terrace farm. Siksamat has led the effort to cultivate the steep slope comprising about one quarter of the farm’s total land area, but the challenges of applying the ancient practice of terrace farming to the urban farm micro-scale have become apparent. (The Inca may have mastered terrace agriculture by constructing miles of irrigation channels in the Central Andes, but most urban farms can’t count on the unflagging labor of thousands of devoted subjects to carry out such undertakings.) For now, much hand watering and heavy lifting is required. Siksamat hopes that a “hillside full of food” will one day become a mainstay at Alemany.

In many ways, Alemany perfectly embodies the non-profit model of urban farming: greening a slice of underutilized urban space, creating opportunities for the community to enjoy and learn from it, and thereby providing a new lens through which we might question our relationship to the surrounding urban environment. The existence of this thriving patch of land in the midst of such classic crimes of urban planning (the freeway cutting through the city, the alienated public housing project) implies that although we may not be able to completely dismantle such misguided urban mega-projects, we can at least ameliorate their negative impact through smaller scale interventions. Alemany Farm gives us a reason to visit this neglected part of the city, providing a rare opportunity to consider not just what went wrong there, but also marvel at everything that seems to be going right.

alemany2

The Southern Freeway looms in the distance

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A volunteer amidst an abundance of greenery

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The terraced hillside

[Photo Credit: All photos by Fabiana Meacham]

On Saturday, August 28, SPUR’s Young Urbanists will host Urban farming 101 at Alemany Farm at 11:30 a.m. Participants will have the opportunity to practice skills learned in the workshop from 1-3 p.m

Urban farms play a central role in SPUR’s upcoming exhibition, DIY Urbanism: Testing the Grounds for Social Change, opening September 7.




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23

Aug

2010

AIA Education Honor Award

By kcanavan. Posted in Main Blog | No Comments »

Studio reCOVER – Gita Primary School

“This project isn’t just a theoretical proposal to a global problem – it’s a real building with a real effect on local issues. The students engaged with community members and local workers to create a building of simplistic and earthly beauty that will have a lasting positive impact.”

“The final result has an even greater quality and depth than the original renderings. The treatment of the materials transcends the original intent of the project.”

This requisite undergraduate architectural studio focused on the comprehensive development of a primary school building design for the community of Gita in Uganda. The course was offered during the spring term of 2008 at the University of Virginia School of Architecture, serving as the sixth and final design studio in a pre-professional program resulting in a Bachelor of Science in Architecture degree. The studio was taught by Anselmo Canfora, a full-time assistant professor, with the assistance of a graduate research assistant, Jeff Ponitz, fulfilling roles in project management and instruction. As part of a multi-year partnership with an American non-profit organization working in Uganda, this design studio developed the architectural and landscape design and supporting construction documents for building of the first-ever primary school in the community’s area.

This course presented students with a comprehensive design problem that required the application of technical knowledge from their previous undergraduate coursework in building systems, structures, and building construction. In addition to understanding the needs and desires of the clients and stakeholders, the students had to balance the introduction of their innovative building components with the realistic/available skill sets and indigenous building practices. Since this building was to be constructed by volunteers, a small group of construction workers and members of the community of Gita, the design strategy was influenced to involve lightweight construction and a multi-step execution of smaller tasks (such as a roof consisting of 14 identical roof trusses), eventually assembled into the completed whole.

From pre-schematic design to construction documentation, the studio emphasized individual and group iterative processes informed by rigorous research and interdisciplinary collaboration. The project involved overlapping of individual contribution and small group work in all stages, resulting in a well-rounded collaboration and awareness of the overall design strategy. The collaboration between architecture and engineering students, as well as between the various organizations, was crucial to the success of the project. The building’s performance, aesthetics, construction, and budgetary parameters were developed and maintained in direct collaboration with the nonprofit organization and the beneficiary community.

The design problem balanced a set of lessons learned equally from academic exercises in studio with those to be learned in the field as part of collaborative efforts with community stakeholders. In addition to understanding clients’ needs and balancing design ideas with the realistic terms of the construction, students were taxed to carefully consider how the school’s design could be used as a prototype and inform future primary school buildings to be built by the non-profit organization throughout Uganda’s Wasiko district.
The objectives of the studio and design/build project involve positively affecting the building of safe, healthy, and sustainable communities while focusing the students’ attention on an immediate, real-world, real-time, design problem. Through their participation in this studio, the students gained a set of experiences in service of translational research and comprehensive architectural education. Additionally, the program hopes to inspire advancement of disciplinary research in the areas of building materials, methods, techniques and technologies in architecture. Ultimately, the goals of the studio and program proved mutually beneficial: to raise social consciousness while preparing architecture students with sound, foundational knowledge and skills in the area of building design, construction, and technology.


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29

Jun

2010

OYSTER-TECTURE

By pjohnson. Posted in Main Blog | No Comments »

MoMA Rising Currents Exhibition

Oyster-tecture is a project created for Rising Currents, an exhibition jointly sponsored by the Museum of Modern Art and the PS1 Contemporary Art Center that commissioned design responses to climate change and sea level rise on the NYC waterfront. Our team, led by Kate Orff, participated in an 8-week design and planning workshop at PS1 with a team of local engineers, ecologists, and high school environmental activists to develop the proposal. Inspired by local restoration efforts underway, we propose an offshore wave attenuation oyster-reef and a water-based inland to protect the city’s waterfront from climate changed-induced sea level rise and storm surge. By improving water quality, attenuating waves, and building habitat, Oyster-tecture introduces new strategies for water-based recreation, ecologies, and economies to the residents of New York. The exhibition is open at MoMA through October 2010


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21

Jun

2010

Pianos for the public

By tbowers@dwlc.com. Posted in Main Blog | No Comments »

I found an interesting article in Sunday’s Post and Courier. There is a new art installation going around NYC, where 60 pianos will be available for public use at various famous landmarks, parks, streets and plazas. The project, a collaboration between artist Luke Jerram and non-profit organization Sing for Hope, is also known as “Play Me, I’m Yours”, and features pianos that are painted and decorated by artists.

Jerram says he got the idea while visiting his local launderette. He says, “I saw the same people there each weekend and yet no one talked to one another. I suddenly realised that within a city, there must be hundreds of these invisible communities, regularly spending time with one another in silence. I hoped that by placing a piano into the space acts as a catalyst for conversation.” To further promote the arts post-exhibit, the pianos will be donated to local schools and community groups.

Wouldn’t this be a fabulous type of installation for us to initiate here in Charleston? I believe we have a struggling home town symphony of our own – what an appropriate means for promoting awareness of the arts in our city.


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17

Jun

2010

David Byrne speaks at CNU18

By tbowers@dwlc.com. Posted in Main Blog | No Comments »

I was unable to attend this year’s Congress for the New Urbanism conference, held in Atlanta, but would have loved to have been there to hear David Byrne speak. The former frontman of the musical group Talking Heads was invited to speak on his insights gained while using a bicycle as his principle mode of transportation throughout cities in the U.S .and abroad. I was able to locate his talk on YouTube. It’s a bit rough, as it was filmed in two parts, plus the final minutes were left out. Nonetheless, I found it entertaining.

If you can see this, then you might need a Flash Player upgrade or you need to install Flash Player if it's missing. Get Flash Player from Adobe.
If you can see this, then you might need a Flash Player upgrade or you need to install Flash Player if it's missing. Get Flash Player from Adobe.

I recently started reading David Byrne’s book, Bicycle Diaries. Below is a blurb about it:

                                    “Bicycle Diaries CoverSince the early 1980s, David has been riding a bike as his principal means of transportation in New York City. Two decades ago, he discovered folding bikes and started taking them with him when travelling around the world. DB’s choice was initially made out of convenience rather than political motivation, but the more cities he saw from his bicycle, the more he became hooked on this mode of transport and the sense of liberation, exhilaration, and connection it provided. This point of view, from his bike seat, became his panoramic window on urban life, a magical way of opening one’s eyes to the inner workings and rhythms of a city’s geography and population.

Bicycle Diaries chronicles David’s observations and insights — what he is seeing, whom he is meeting, what he is thinking about — as he pedals through and engages with some of the world’s major cities. In places like Buenos Aires, Istanbul, San Francisco, and London, the focus is more on the musicians and artists he encounters. Politics comes to the fore in cities like Berlin and Manila, while chapters on New York City, and on the landscaped suburban industrial parks and contemporary ruins of such spots as Detroit, Pittsburgh, and Columbus are more concerned with history in the urban landscape. Along the way, DB has thoughts to share about fashion, architecture, cultural isolation, globalization, and the radical new ways that some cities, like his home town, are becoming more bike-friendly — all conveyed with a highly personal mix of humor, curiosity, and humanity.”

Perhaps in a future post I will give it a book review. So, what’s your story? Have you had any interesting experiences or epiphanies while riding your bike around town?


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Created with Admarket’s flickrSLiDR.


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3

Jun

2010

DesignWorks Facebook Launch

By amontgomery. Posted in Main Blog | No Comments »

We’re up and running on Facebook! Follow what we have been up to on our new page by clicking on the link below:

DesignWorks, LC

Promote Your Page Too


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2

Jun

2010

Whimsical planters for the contemporary garden

By tbowers@dwlc.com. Posted in Main Blog | No Comments »

The Sweet Cake is a molded polyethylene container that comes in a variety of colors (even more than what is shown here) and uses. It is made by the Dutch company, Beerd van Stokkum, whose website you can find here.

I’ll take one in every color, thank you.


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28

May

2010

Team DesignWorks Wins!

By gcollins. Posted in Main Blog | No Comments »

In early 2010 DesignWorks, LC submitted on behalf of a diverse group of professionals for the Okatie Headwaters Legacy Competition. We are proud to announce that our submittal was the winning entry and received the Mayor’s Merit Award from The Town of Bluffton, SC. What began as an investigation into a suitable planning methodology for a small Southern town became a larger discussion about the creation of place. Titled ” Patterns for a Whole Community” the team wondered aloud “How can we utilize the everyday information people provide and use it to enhance their lives through healthy planning?” Our investigation continues as we begin to develop a set of tools that will eventually lead to communities that learn and grow from within and will be self sustaining for the citizens who live there. Thanks to David Thompson, Vince Graham, Will Bullock, Christopher Cecil, Tammie Hoye, Andy Gowder, Carol Poplin and Paul Ford along with the entire DW team.


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